Boy, are we making progress!” “There’s never been anything like it!” The centerpiece of the President’s speech was his ...
The Oakland-based experimental artist Chrystia Cabral, a.k.a. SPELLLING, resists genre categorization in a way that allows ...
In the Chinese director’s third feature, the pop idol Jackson Yee plays a shape-shifting dreamer who gets lost in a densely ...
You’re reading The New Yorker’s daily newsletter, a guide to our top stories, featuring exclusive insights from our writers ...
It’s been the year of Molière, and therefore the year of the liar, the hypocrite, the poseur, the clown.
Enter the Cartoon Caption Contest for a chance to appear in the magazine. Follow @newyorkercartoons on Instagram and sign up ...
Hailey Benton Gates, the director of the “military-industrial-complex romantic comedy” “Atropia,” recommends a few books that ...
From the daily newsletter: celebrating the milestone birthday of one of the magazine’s most lucid profile writers.
The director’s great achievement was placing real people, with real senses of humor, into the fantasies of mass culture.
This was the year that A.I.-generated content passed a kind of audiovisual Turing test, sometimes fooling us against our ...
Hailey Benton Gates, the director of the “military-industrial-complex romantic comedy” “Atropia,” recommends a few books that ...
In James Cameron’s latest 3-D science-fiction extravaganza, the Na’vi family tree gets more complicated, but our sense of ...
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